Gregorio Rocha, the filmmaker who desperately wanted to get a kick out of the app

Photo: Twitter @alefrausto
Photo: Twitter @alefrausto

El cineasta Gregorio Rocha wall 12 pass may occur in an accident on the carrier, the implementer being found working as a food department by application and riding with a car on the outskirts of Mexico City, updated with local media.

Rocha’s colleagues insure that the accident habría evidenciado the economic situation that lives the artists y, a su vez, la inseguridad y el riesgo que representa affiliate with an engagement service platform.

It is worthy of the department. I am indignant as a spare part in a motor against a car. I’m indignant tener 65, I’m a Mexican cineasta and you get to be a motorcyclist because of your public policies @cultura_mx nos dan disempleo y nos “desaktivan”, mencionó el cineasta José Antonio Cordero.

(Photo: Twitter / @ somosrepas)
(Photo: Twitter / @ somosrepas)

“Gregorio Rocha murió. It is a vital defense of film archive, and the conservation of audiovisual memory. Wall-mounted coma for an app; I work honestly, but I still have the indignation “, Sergio Huidobro, a critical and humorous filmmaker, has been seen on his Twitter account.

I agree with the directory of mexican directors of Morelia Cine International Festival (FICM), Gregorio Rocha study the cinematography license at the Centro Universitario de Cinematographic Studios (CUEC-UNAM). Among other things, he obtained the Fulbright / COMEXUS certificate in 2001, and the Fund for Calidad Cinematography (FOPROCINE) from the Mexican Institute of Cinematography (IMCINE) in 2012 for co-production of documentary documentometers mure (2014).

Photo: Twitter @Est_Churubusco
Photo: Twitter @Est_Churubusco

The film, which falls to the age of 65, forms part of the National System of Art Creditors (SNCA) of the National Fund for Culture and the Arts (FONCA), from 2011 to 2014.

On the other hand, it takes more than 10 years to get into the collection of multiple cameras and cinematographic films of different epochs and formats, from Una Linterna Mágica in 1872 had a Bell and Howell 16 mm projector from 1989.

With this collection, Gregorio claims to activate a museum specializing in cinematic formats and a space of experimentation with the projected image to establish connections between analytical and digital. Your work will include three editions of the Morelia International Cinema Festival (FICM).

(Photo: CDMX Culture Secretariat)
(Photo: CDMX Culture Secretariat)

“The International Cinema de Morelia Festival (FICM) lamented with deep respect the irreparable curtain of the extraordinary Mexican artist Gregorio Rocha”, describes the organizers of the event held on Twitter.

Against bankruptcy, the Mexican Culture Secretariat, Alejandra Frausto, expressed her grief over Rocha’s death, describing her as a “cinematic man, dedicated to the production of cultural, historical and social documentaries”, without embarrassment. , many artists tend to be accountable for the fact that the news that the news was leaked to the cinema to find another place.

One of the most recognizable works of cinema is the documentary “The Rolls of Pancho Villa”, from 2003, which won the public prize of the International Film Festival of China Morelia, members of the billiards in Spain and the United States.

Photo: Twitter @sergiohuidobro
Photo: Twitter @sergiohuidobro

In the documentary range “Acme & Company”, from 2006, rehearsed a guinea premium in Mexico and exhibited on the online platform Latin Film, junta with “Muros”, another documentary realized in 2014.

It’s because José Antonio Cordero, a Mexican filmmaker and theater producer, expressed an expression on Twitter that he was indignant about “being a cineasta” and “taking off as a partisan” because of the policies of the Secret Culture to the “crew” in “complete”.

Photo: Twitter @el_llanos
Photo: Twitter @el_llanos

Accompanied by the JLA agency, as it is one of the most important products and prestigious festivals, the Mexican cinematographic industry exhibits very contrasts, between opportunities and recursions for spinners and the realization of the multimillion-dollar productions that cost a considerable amount.

In a nutshell, commodity breakers in the City of Mexico do not provide the impetus for legislative prophecies that recognize them as tramplers with flanged ribs and rib cage protections as accidents, seizures, and even assailants, so be sure to “select”

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